A step by step guide to Mr. Grimm

When i made my ‘Mr. Grimm’ cake i took a few snaps along the way. These are not posh snaps, they are mostly taken at night which is when i get time to experiment with new ideas and are merely a visual guide to how i personally made this cake.

I will call it a tutorial, because i am not sure what else I would call it. However it’s not a glamorous, studio lit, white background ‘pdf to your inbox’ for ££ tutorial, it is a rough and ready set of snaps with a few ramblings… and it’s free.

I hope it inspires some of you!

A quick note! I use an airbrush so i work in white and then add the colour afterwards. If you do not use an airbrush you will need to colour up for fondant BEFORE adding it to the design. 

You will need:

A 12 inch square pan

newspaper, baking paper and string to line.

Ingredients for a 12 inch square deep cake.

Ingredients for enough buttercream to cover a 12 inch square cake. (If i’m sketchy it’s because i just made loads. I’m not so hot on precise!)

A 30cm  6mm threaded rod – check out your local DIY shop for this

A 6mm washer and nut

A drill

A 5mm drill bit

A large wooden (hardboard) base board, this needs to the thick, at least 1/2 inch or deeper. Mine is 1/2 inch and 15 inches wide.

Lots of fondant. I used roughly 2.5kg

On to the technical bit! 

Start with your drill,  hardboard, threaded rod, washer and nut.

Measure your board  and mark a hole in the centre. Drill a 5mill hole right through the centre of your board and then screw in your threaded rod until it is flush with the underside of the board. The board must be thick enough to support the rod, if your board is too thin it will not hold the rod. It does not need a nut on the underside of the board as long as your board is thick enough to support the rod.  Pop on the washer

This photo shows two boards, one stacked on top of the other. The second board underneath has nothing to do with this design, it’s just stacked there to keep it out of the way. To clarify, the rod is threaded through the top board only. 

Screw the nut on top of the washer and tighten until the rod is securely in place. Cover the whole board and secured rod in tinfoil to make it food safe.

On to the SKULL!

This is simply a mold. No skill involved! I purchased mine on Esty, although I believe you can also buy them on Ebay.

Break the chocolate into a microwave proof bowl. I used about 1kg of chocolate. 

Melt the chocolate in the microwave, checking and stirring every 15 seconds. It’s very easy to burn chocolate so no wandering off and staring at clouds at this point! As Yoda would say, concentrate you must!

Take your mold and pour in about 1/3 of the melted chocolate, rotating the mold round in your hands until the chocolate spreads into all the nooks and crannies of the mold.

Once the inside of the mold is completely covered in chocolate find a way of supporting it so it doesn’t sit flat on it’s head (it will dent.) I used a small saucepan.

Once supported put the mold in the fridge so that the chocolate sets.

Once set take the mold out, pour in another 1/3rd (re-melt the chocolate in the bowl a little if it has begun to set,) and repeat step one. Roll the mold around until the second layer of chocolate has covered the first. You can also spread it around into all the indents with the back of a spoon as well.

Pop it back in the fridge to set and then repeat a third time with the last of the chocolate.

Once all three layers of chocolate have completely set you can peel the mold back.

Mid-peel. This mold is not easy to release!!

Mr. Grimm’s spine

Vertebrae have a rounded grooved section at the front and three wide boney points at the back, two pointing sideways and down, one pointing straight out at the back. (Google image will help you here. )

You’ll need to fashion 4 vertebrae in varying sizes. The largest bottom piece being roughly 1 1/2 inches, decreasing in size to the forth and smallest piece at the top at roughly 1/2 inch. I used fondant with a little CMC added.

I have added a (dodgy) picture of one of the pieces I made. Make your vertebrae upside-down so you can create the protrusions, then flip it when slotting them onto the the rod. Use a reference image of a vertebrae to get a realistic replica.

Once all four pieces are made, make holes in the centres of each one big enough for the 6mm rod and leave to one-side to dry.

Next – the cake!

You’ll need a 12 inch square deep cake to make Mr. Grimm’s shoulders. I line all my pans to help achieve a bigger rise and wrap my larger pans in wet newspaper tied on with string to help prevent burnt edged/raw middles.

Bake your cake and once cooked cut it into equal squares.

Place two squares either side of your rod so that is central to the rod. Then place the other two squares on top of the first two.

I’ve added to the skull in at this point just because it amused me to do so. You do not have to, and if you do add it you’ll just have to take it off again to add the spine. It does look cool though!

Mr. Grimm’s shoulders need a little shaping. If you have never carved cakes before this can seem a little daunting. The best piece of advice I can give here is to take your time, carve a little at a time, keep stepping away and looking at the shape from a distance and then carrying on if needed. Remember it is easier to carve a little more than attempt to re-build a cake!

I use a large, flat edged knife like this one, using it flat side against the  cake and not the edge to carve. Take slithers off the corners and all round the cake to shape it the shoulders.

Once you are happy with the shape, wrap in clingfilm and leave overnight. Crumb coating a freshly carved cake is asking for trouble!

Fill then crumb-coat your shoulder then cover in fondant. Leave the edges of your fondant frilled to give the effect of a cloak. Thread your vertebrae on to the rod and place the skull on the top. As you skull is hollow you will need to ‘stuff’ it with a food safe product, (something like tinfoil,) to create a grip for the rod and help steady the skull. The rod will support the weight, this just adds stability. The fondant cloak will also support the skull once it has dried.

Next you need to work on the hood. This takes far more fondant that you would imagine and is not exactly the easiest of all tasks. Be confidence and work quickly yet carefully.

I rolled out enough fondant to cover a 14 inch cake for this (basically the same size as my mat)

It’s tempting to try and add the fondant as you would a hood, from the back and up and over, this doesn’t work as it puts too much pressure on the fondant.

Pick the fondant up with your rolling pin in the middle as you would if covering a cake.  place one edge of the fondant on one of Mr. Grimm’s shoulder so it lies along the top of the shoulder. Make sure it is far enough forward to sit correctly at the front of the skull. Then roll it up and over the skull and down the other side to meet the other shoulder.

Quickly begin tucking the edges of the fondant under to create the hood. Work on the back to tuck in the fondant and create the folds in the ‘fabric.’ Smooth the fondant over the top of the skull. Make sure the fondant is tucked in and supported by the cake all the way round.

Place a piece of kitchen roll between the fondant and skull at the forehead to create a lip. Slide your whole hand in between the fondant and skull and lift gently using the back of your hand against the fondant. stuff kitchen roll in between the two. Do this on both sides and leave to dry overnight.

Use a couple of tatty off-cuts to create the fabric at the front of the cloak, and then bend and fold further fondant strips to create the board covering.

After 12 hours you can remove the kitchen roll and your fondant cloak will should keep it’s shape.

Lastly airbrush shading details to the skull and spine, airbrush the cloak black and the board grey with highlights/lowlights. Use kitchen roll to protect the skull whilst you airbrush the inside of the cloak.

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A picture’s worth a thousand words!

Sometimes customers send me photographs of my creations being given to the (usually) unsuspecting recipient. I thought i’d gather them together in one place that I will update from time to time.

I love receiving photos like these. It makes my heart smile.






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Skulls – chocolate ones…

I absolutely adore Day of the Dead skull art. Each skull has all the menace of death, yet are also fantastically creative, intricate and full of impact.

When I found a chocolate skull mould on-line I had to have it. I used a technique similar to that used to make the giant cupcake chocolate shell although i worked with a far thicker layer of chocolate as this mould is not very flexible and I had to know the chocolate would stand up to the pressure of having the mould removed.

For this skull I airbrushed it black and highlighted it with silver, I then went free-style with the piping bag to create as intricate design as I could.

 

I have many, many ideas for this skull mould and plan on making a regular feature of these. After all, a skull is not just for Halloween!

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Red Velvet Recipe

I’ve always wanted to make red velvet cake. I’ve never really known much about it or even what ingredients it had in it,  all i knew was it was a very popular American flavour and that it was a blood curdling red colour!

Since Halloween was approaching i decided it was a good opportunity to give it a go!

I used the Hummingbird bakery recipe as it’s highly recommended in the UK. You can find the original here.

Ingredients

For the red velvet cupcakes:

  • 60g unsalted butter, at room temperature
  • 150g caster sugar
  • 1 egg
  • 10g cocoa powder
  • 20ml red food colouring (we recommend Dr. Oetker’s or a paste colouring as red food colourings vary in strength*)
  • ½tsp vanilla extract
  • 120ml buttermilk
  • 150g plain flour
  • ½tsp salt
  • ½tsp bicarbonate of soda
  • 1½tsp white wine vinegar
For the cream cheese frosting:

  • 300g icing sugar, sifted
  • 50g unsalted butter, at room temperature
  • 125g cream cheese, cold

You’ll also need:

  • 12-hole cupcake tray, lined with large cupcake cases

To make a red velvet cake instead, double the quantities below, divide between three 20cm cake tins and bake for 25 minutes at the same oven temperature. Frost with 2 quantities of cream cheese frosting and sandwich together.

Method

  1. Preheat the oven to 170°C/325°F/gas mark 3.
  2. Put the butter and the sugar in a freestanding electric mixer with a paddle attachment (or use a handheld electric whisk) and beat on medium speed until light and fluffy and well mixed. Turn the mixer up to high speed, slowly add the egg and beat until everything is well incorporated.
  3. In a separate bowl, mix together the cocoa powder, red food colouring and vanilla extract to make a thick, dark paste. Add to the butter mixture and mix thoroughly until evenly combined and coloured (scrape any unmixed ingredients from the side of the bowl with a rubber spatula). Turn the mixer down to slow speed and slowly pour in half the buttermilk. Beat until well mixed, then add half the flour, and beat until everything is well incorporated. Repeat this process until all the buttermilk and flour have been added. Scrape down the side of the bowl again. Turn the mixer up to high speed and beat until you have a smooth, even mixture. Turn the mixer down to low speed and add the salt, bicarbonate of soda and vinegar. Beat until well mixed, then turn up the speed again and beat for a couple more minutes.
  4. Spoon the mixture into the paper cases until two-thirds full and bake in the preheated oven for 20–25 mins, or until the sponge bounces back when touched. A skewer inserted in the centre should come out clean. Leave the cupcakes to cool slightly in the tray before turning out onto a wire cooling rack to cool completely.
  5. Meanwhile for the cream cheese frosting: Beat the icing sugar and butter together in a freestanding electric mixer with a paddle attachment (or use a handheld electric whisk) on medium-slow speed until the mixture comes together and is well mixed. Add the cream cheese in one go and beat until it is completely incorporated. Turn the mixer up to medium-high speed. Continue beating until the frosting is light and fluffy, at least 5 mins. Do not overbeat, as it can quickly become runny.
  6. When the cupcakes are cold, spoon over the cream cheese frosting on top.

The Hummingbird Bakery Cookbook, Recipe text ©Tarek Malouf & The Hummingbird Bakers

*I used gel food colouring instead of liquid, it’s far more concentrated so a little bit goes a long way. The risk of using liquid colour is you need so much you are likely to breach government guidelines on use of colouring in foods. This guideline varies from country to country so it is well worth knowing your local legislation, especially if you are a business baker.

As it was Halloween i decided to invest in a chocolate skull mould. I’ve been drooling over them for several months and decided it was time I had one myself!

As this was a test recipe and my first attempt with a mould like this I kept the design simple and just used detailed piping to ‘glam’ up the skull, matching further piping on to the cake.

I found Red Velvet a bit of a mis-fit cake. It isn’t chocolate although it contains cocoa, it isn’t victoria sponge although it contains vanilla, it’s very moist due to the buttermilk, and the white wine vinegar adds an interesting dimension, it just doesn’t really fit in any cake type and I found it a bit of a ‘nothing’ taste.

However, people adore it and it is a favourite cake for many and an American staple cake so it is well worth trying so you can make up your own opinion!

This is the cake I designed.

And this is what we did to the skull. It seems dramatic, however we found a hammer was actually the only way in as the chocolate was so thick a knife would not work!

 

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Chris and Faye’s Wedding – Cake & Photography

I was truly honoured to be charged with providing the cake AND the photography for a beautiful wedding at the spectacular Banqueting House in central London.

The cake was chocolate and red velvet in four tiers (12″, 10″, 8″ and 6″.) The colours were royal blue, white and silver – detailed with quilting, hand-piping and stenciled chandeliers to reflect the venue as requested by the bride.

The photography style was to be unobtrusive yet dramatic.

 

Congratulations to Mr and Mrs. Kelly and thank you for letting me be such an important part of your amazing day.  xx

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tiger tiger burning bright…

This is another piece for my upcoming exhibition in London.

I’ve been experimenting with my cookie work with the aim of creating more visual depth, more drama to them. To take them ever further beyond the humble cookie.

It’s actually a simple technique and uses tip 67 (a grass tip) to pipe royal icing in and around the tiger. I then airbrushed the individual fronds to add shading and highlights, as well as adding some low-lights and highlights to the tiger itself.

I love the way this cookie looks and can see many, many applications for this style.

Exciting times! x

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Made With Love goes experimental!

The Experimental Food Society is an amazing London based agency who represent a plethora of awe-inspiring food artists from cake makers to butter sculptors, edible florists to jelly artists. So imagine my amazement when I received a call from the founder asking me to join! Yes me! It’s definitely one of those moments where you say YES first, and then panic about it later!

Alexa the founder loves what I am doing with my giant cookie slabs and would not only like to represent me, she wants me to exhibit along-side the other artists at a huge London event in Canary Wharf in November!

Wow! What an honour! How exciting!

I’ll post more about the upcoming ‘spectacular’ as it gets closer, for now it’s off to the kitchen to get experimenting!!!

 

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FREE FROM recipe ~Gluten free cupcakes~

Here is a quick and simple recipe for gluten-free cupcakes. This recipe was kindly given to me by the lovely lady from Giggly Gertie’s gluten-free cupcakes.

Gluten free Cupcakes

Ingredients

125g (40z) of butter melted

125g (40z) of caster sugar

125g (40z) of gluten free self raising flour

2 medium eggs

3 tbsp of milk

Few drops of vanilla exract

12 hole bun tray with paper cases

Method

1. Set oven to gas mark 5 or 190c

2. Add melted butter to bowl then add sugar, flour ,eggs, milk and vanilla extract. Beat the mixture preferably with a electric hand whisk to give a smooth batter which may appear a little runnier than usual cake mixture

3.bake the cakes in the centre of the oven for 18-20 mins or until the have risen and are a light golden. Remove tray from oven and leave to cool for a few mins then transfer to a wire wrack to cool completely.

 …………………………………………………………………………………………………………………….

Because let’s face it, it is our moral obligation to find recipes that mean EVERYONE can eat cake! That’s almost a mission statement isn’t it!  

 

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~Game Of Thrones~

Ok, i confess, my name is Hannah I’ve never heard of  ‘Game of Thrones’

So when I was asked to make a ‘Game of Thrones’ cakes i quickly hid the blank look on my face to hit the internet super-speedily to find out more. It seems that by living in my sugary cloud of icing I have accidently missed one of the most popular book/TV series to have been created in recent history. Oops. (Note to self, I really should consider getting out more!)

This cake was to be a chocolate cake for 100 people, and include the following elements – the wall Of ice, the black dragon, dire wolves, the coats of arms for the main ‘Game of Throne’ houses and of course the throne itself.

I’ll admit to using google images quite extensively for research this cake. (It was either that or read all five books in two weeks and I’d struggle to finish reading a recipe let alone a book or five!) Anyhow, after a lot of button clicking and scanning geek, ahem – i mean - fan forums I finally felt i had a grip on what was needed and set to work creating the wall of ice that would be the main body of the cake.

Once this was done I could work up the trickiest modelling I’ve done to date. There was a huge amount of work involved as each model was both complicated and detailed, and I was very determined to create fantasy figurines rather than cartoon-ish models often associated with sugarpaste.

With everything finished and dried I assembled the two elements together (the wall and the models) whilst holding my breathe that everything would fit on the cake, hold together firmly and securely and most importantly look damn cool.

The day after the cake was picked up I received this photo and message.

Thank you so much for the wonderful Game of Thrones cake you made for my brothers 30th last week – as you can see he was very chuffed! It looked amazing and tasted even better!

Yay!

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Meet Dinky my new airbrush!!!

I was amazingly lucky recently to win a DinkyDoodle Design airbrush. I had never used an airbrush before and wasn’t at all sure how i’d get on with it. I had seen cakes airbrushed on TV but never thought i’d be in a position to give it a go myself.

I have to say when I opened the box i was a little daunted. There was a metal ‘gun’ type thing, lots of air tubing, this strange pink box and a power supply! However once i’d sat down and watched Dawn’s tutorials on DVD it all seemed pretty easy and I was confident enough to put it together give it a go on a red sugarpaste bow and black CMC lamp. I was instantly amazed and really quite giddy about the prospects of this amazing new toy.

The ease of getting rich, deep colours without having to pound sugarpaste for hours is pure bliss. Brilliant reds without having stained fingernails for days, jet, jet blacks without the foul taste of too much black colouring.

That ability to create true colours is reason alone to use an airbrush, however with a little more practice i realised I could fade and blend colours together in a way that either simply isn’t possible or is extremely hard to do with other cake craft techniques.

All of that is great, what a wonderful addition to my cake tool box! However Dinky my airbrush was not finished showing off it’s abilities!

Do you know what the best of all thing about my new best friend Dinky the airbrush is? I can draw/shade and colour with it, just like a real artist. I can actually create edible pieces of art now. I have hand-painted on icing before yet this tool gives you so much more scope to add depth, shading, and fading or layering colours.

 

I genuinely cannot now see a point where i’ll ever do a cake without using my airbrush, even if it’s just to add a little depth to a shape or colour or bring out a highlight.

I was really quite nervous of Dinky the airbrush at first yet within minutes it felt easy, comfortable and the effects effortlessly enchanting.  I’m hooked. I’m so hooked I may need professional help if ever I am left with a cake to create without my airbrush.

I highly recommend getting one. It’s changed the way I cake in every single way and I simply wouldn’t be without it!

You can Dinkydoodle’s airbrush website here and the owner of Dinkydoodle design, the amazing airbrush cake artist Dawn’s Facebook page here. You can also purchase her airbrush and paints through The Cake Decorating Company

If you want to find out more about what i’m up or just drop by and say Hi, my Facebook page is here. <3

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